Eventually a compromise was reached and Walden agreed to produce the song, earning himself a songwriting credit in the process. “Clive Davis heard the mix and immediately proclaimed it a 10, which is outrageous for him, because he doesn’t like anything! “Now it’s easier to let go, but at that time it was hard to be flexible.” We weren’t used to the idea of someone changing our song,” Rubicam said. But it wasn’t long before the song hit another snag when Merrill and Rubicam refused to let Walden make changes to their song. “Our publishing company played it for Gerry Griffith when he was in Los Angeles gathering material for the unknown Whitney Houston.

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• The album quickly became a huge commercial success, selling over 14 million copies worldwide by 1987.
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• Work on Houston’s album, however, wouldn’t pick up until American record producer Kashif called Griffith about wanting to give Houston a song he had worked on with songwriter La Forrest Cope titled “You Give Good Love”, which had originally been written with soul singer Roberta Flack in mind though Flack’s agent turned the offer down.
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• In addition to the US, the album topped the year-end charts in Australia and Canada, breaking even more barriers, while being just the second album by a black woman after Tina Turner’s Private Dancer, to top the year-end charts in Switzerland.

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• In February 2012, following her death, MTV named it one of her ten best songs, writing that the song proved “Houston was more than just a big-ballad diva”.
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• In 2015, Dutch EDM duo W&W released the song “The One”, sampling some elements of the song.
• Houston’s debut was the best-selling album of 1986 in the United States and the No. 1 album of the year on 1986 Billboard year-end charts, making her the first female artist to earn that distinction.

The jazzy-pop “Saving All My Love for You” (originally a minor hit for Marilyn McCoo and Billy Davis Jr. in 1978 on their album Marilyn & Billy) was released next and really put her on the map. In November 2003, the album was ranked No. 254 on Rolling Stone’s publication of the 500 greatest albums of all time, and 257 in a 2012 revised list. Whitney Houston was also the best-selling album of 1986 in Australia, staying at number 1 on the Kent Music Report albums chart for eleven weeks, the longest stay by a female artist at the time. Whitney Houston spent fourteen non-consecutive weeks at the top of the Billboard 200 chart from March until late June 1986, which was short of one week for Carole King’s record of fifteen weeks for the longest running No. 1 album by a female artist at the time. Initially starting on a $200,000 budget, by the time of the album’s completion, it had almost doubled to $400,000. “Greatest Love of All” ended up being the final song recorded for the album; Davis decided to add “Hold Me” and “Take Good Care of My Heart” to complete the album.

You can hear that voice bursting its way out of the song, ready to dive and curl and soar. There’s a lot of gospel in her delivery, in the unearthly joyous yelps and whoops and out-of-nowhere high notes. But even in the context of a song as fast and bubbly as this one, you can still hear the power and control in her voice.

“Take Good Care of my Heart” (as a duet with Jermaine Jackson) was also released as a radio-airplay single in Panama, becoming a success in the country, reaching No. 2. “All at Once” was released only to adult contemporary and urban AC stations as a radio airplay-only single later in 1986. With “Greatest Love of All” and Houston’s debut album both at No. 1 on the singles and albums chart respectively, she became the first female artist to have the number 1 pop single and album simultaneously since Kim Carnes in 1981 with “Bette Davis Eyes” and Mistaken Identity. As a result, the parent album became the first debut album—and the first album by a female artist—ever to generate three number 1 singles. The soulful ballad would top the R&B chart and surprise the label by crossing over and reaching number 3 on the pop chart while the singer was playing at nightclubs in the United States.

Whitney Houston (album)

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In 2004, Billboard picked the enormous success of her debut album release on the charts as one of 110 Musical Milestones in its history. On January 25, 1994, the album became the first studio release by a female artist to be certified 10× Platinum. With global sales of 25 million, it has been cited by the Guinness World Records as the most successful solo debut album in history, the most successful female debut release and the best-selling studio album by a female R&B artist in the United States. In addition to the US, the album topped the year-end charts in Australia and Canada, breaking even more barriers, while being just the second album by a black woman after Tina Turner’s Private Dancer, to top the year-end charts in Switzerland. The album became the first by a female artist to top the Billboard Year End Pop Albums list in 1986. Sputnikmusic called the album “one of the warmest, most complex and altogether satisfying rhythm and blues records of the decade and Whitney herself has a voice that defies belief.” Classic Pop stated the album “not only launched Whitney’s career but redefined the meaning of the term pop idol, introducing mainstream audiences to a vocal style more in tune with gospel music than the charts.”

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Merrill and Rubicam had originally offered the song to pop artist Janet Jackson; Jackson’s management team, which included A&M Records executive John McClain, rejected the song for Jackson to record. Gerry Griffith got in touch with Brenda Andrews of Almo-Irving Music, who offered him the song “How Will I Know”, written by George Merrill and Shannon Rubicam. Noting the lack of what he perceived to be crossover pop singles, Davis sought to find a song for Houston to connect with younger audiences.

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We had a lot of R&B-based tunes, we had a few ballads, but we didn’t have a pop crossover song. However, after hearing the song, Jackson’s management passed on it, feeling it was not a compatible fit with material already in development for her. Initially, husband-and-wife songwriters George Merrill and Shannon Rubicam had written the song’s demo in 1984 for pop singer Janet Jackson, who was managed by A&M Records executive John McClain. The song was performed on many of her tours including Greatest Love Tour (1986) and her Nothing But Love World Tour (2009–10). The music video gave Houston exposure to teenagers via MTV and https://academyofrawfood.com/ other video outlets.

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In interviews, Whitney Houston revealed her scepticism about releasing the song as a single. Among the iconic singles from a much-missed icon, I will explore the song a little bit for this Groovelines. I am covering this song, other than the fact that it is a classic! Watch the music video, now in HD on Whitney’s YouTube channel.

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